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 | A Chronological Summary of Raiders of the Lost Ark, as Directed by Peter Jackson |
0:00 -- 0:02 Main Titles
0:02 -- 0:25 Prologue, Ancient Tanis. An Egyptian Pharaoh enters the Well of Souls to consult with his mysterious prize. By end of scene, an enormous sandstorm wipes out city. Introduce character of young Aleph, a street thief who absconds with the headpiece to the Staff of Ra
0:25 -- 0:30 Newsreel footage, to introduce the fact that it's 1926.
0:31 -- 0:50 University of Chicago; introduce Forrestal, Belloq and Indiana Jones, and their rivalry as they try to woo Marion Ravenwood, their professor's young daughter. Abner Ravenwood is teaching about Tanis. Belloq cheats on his final, somehow swaps papers with Jones
0:51 -- 1:00 Flash-forward to 1936 - we see Indy on a plane to Peru. He's been reminiscing about ten years prior, looking at a dog-eared photo of Marion. He closes his book.
Introduce Jock, the pilot, and his love of fishing through lengthy monologue that serves as allegory for archeology and women.
1:01 - 1:15 - The trek through the jungle to find the Chachapoyan temple. Introduce Barranca and Satipo. Action sequence as they fight through a cave full of giant bats that eat their Quechuan Indian porters.
1:15 - 1:30 - Barranca turns traitor. Indy and Satipo find the temple entrance. They enter. Fight through tarantula pit. They make their way into the heart of the temple and find Forrestal's body. Slow motion and stirring music as Indy cries over the loss of Forrestal.
He then finds the inner sanctuary wherein a golden fertility idol rests. Indy steals Golden Idol.
1:31 - 1:40 - Temple erupts in a tremendous quake. Dozens of huge rolling boulders emerge from hidden chutes, and chase Indy through the countryside. He eventually crashes into a Hovitos village.
1:41 - 1:45 - Terrifying montage to show just how scary the Hovitos are. They truss Indy up, take back the Idol, and march them to their new king.
1:46 - 1:50 - Seated atop an enormous bone and wood throne is Belloq, who has taken over the Hovitos tribe. He takes back the Idol and orders Indy to sacrificed in the jaguar pit.
1:51 - 2:10 - Indy faces seven vicious jaguars but uses them against each other, and escapes from the pit. A chase begins and it looks Indy will be cornered by the Hovitos, until an ingenious escape rope engineered from fishing equipment falls down from overhead, and Jock airlifts him out.
2:11 - 2:15 - Newsreel footage. Explains the growing unrest in Europe as the world marches towards war. Then makes mention of famous professor Indiana Jones and that he teaches at Marshall College.
2:16 - 2:20 - Indy at college. He is lecturing. A young woman, Lora, catches his attention through her use of eye-liner to spell a secret message of her eyelids. Indy's class is interrupted by military intelligence agents.
2:21 - 2:30 - Army Intelligence tells Indy that Abner Ravenwood is somehow involved in a Nazi dig for Tanis. Indy signs on to find the lost Ark of the Covenant.
2:31 - 2:37 - Indy, back at his house. Lora is waiting there with a bottle of wine. It gets steamy, but Indy seems conflicted. He begins to explain that something is on his mind... flashback shots of young Marion and an angry Abner with stirring music - maybe some sort of Gaelic vocals?
2:38 - 2:45 - Indy flies to Nepal. Underworld contacts lead him to the Raven. Meets Marion. Learns that Abner is dead. Flashback to avalanche that killed him, and Marion's pained anguish of that day.
2:46 - 3:00 - German agents burst into the Raven. Prolonged gunfight triggers avalanche that sends the entire building skidding down the side of the mountain with the heroes and villains still in it. Indy and Marion eventually escape with the headpiece to the Staff of Ra
3:01- 3:10 - Indy flies to Cairo. Meets Sallah, his digger friend. As a break from the grueling action, there's an extending dining/dance scene as Sallah and his ten children entertain Indy and Marion.
3:11 - 3:15 - Marketplace scene. Indy and Marion are accosted by saber-wielding thugs. Extended action sequence.
3:16 - 3:20 - Marion is captured and placed in a basket; Indy follows basket and sees it aboard a truck that explodes. He is devastated. Music by Enya starts, as he silently mouths words of anguish in a slow motion montage. Also include flashbacks to previous parts of the movie to underscore what Marion meant to Indy.
3:21 - 3:50 - Indy has terse words with Belloq; later finds map room with Sallah's help; begins digging new excavation site; learns that Marion is still alive (Marion has lengthy flashback to explain how she survived).
3:51 - 4:00 - Well of Souls antechamber -- scarab beetle fight sequence.
4:01 - 4:15 - Indy and Sallah find the Well of Souls; Ark removed; Indy stranded in snake-pit; Marion thrown in with him. Extended chase through Well of Souls by giant snake.
4:16 - 4:20 - As Indy breaks his way out of chamber, horrific (and lengthy) sequence of Marion fighting zombie mummies.
4:21 - 4:30 - Airstrip fight sequence.
4:31 - 4:51 - Indy learns that Ark is being moved by truck convoy, escorted by tanks and fighter planes. On horseback he systematically engages and destroys a dozen trucks until he finds the right one. Epic action sequence of one man versus thousands of German soldiers. Indy escapes with the Ark.
4:52 - 5:00 - Indy meets up with Sallah at the docks; meet Captain Katanga and the Bantu Wind crew, including little Isaac, the lovable scamp of a ship-hand who will have his own subplot regarding his inability to read. Jones and Katanga have lengthy philosophical discussion about the inherent ironies of freedom of the sea, and dependence to a boat; Indy sees it allegorical to his situation with Marion.
5:01 - 5:10 - Giant squid attack.
5:11 - 5:20 - Bantu Wind is overtaken by German sub. Nazis retake Ark. With Isaac's help, Indy sneaks aboard the sub as it heads to a hidden base in a Mediterranean island.
5:21 - 5:35 -- Indy goes undercover as German soldier, follows Ark convoy to a prepared altar site. Little did the Nazis realize that the island had savage natives. They attack, thousands upon thousands of them. Nazis fight them off. German officers urge Belloq to unleash the power of the Ark now, but he says not until after the completion of the ceremony. In the battle, Jones is forced to reveal himself. As the Germans escape, they take Jones captive.
5:36 - 5:45 - Indy and Marion are bound together. Facing their final moments, they put to rest their old arguments and both discuss Abner in loving, nostalgic tones. To their surprise, they are not shot by an execution squad, but rather, are taken to the altar site. Belloq wants them to witness the opening of the Ark as his ultimate triumph.
5:46 - 6:12 - The Ark is opened. At first nothing happens - and then Spectral warriors emerge, clad in nebulous armor and holding oddly gaseous swords. They arm Indy and Marion with their ghostly weapons. What follows is an enormous war, as the Nazi soldiers are cut down by the Armies of the Ark, led by Marion and Indy. The supernatural hordes also wipe out the heathen savages on the island.
6:13 - 6:25 - With the last heretic, Belloq, slain, the ghostly forms retreat into the Ark, stripping Indy and Marion of their supernatural vestments. They stare at each other in silence, and then embrace, looking in awe at the Ark that now rests silently on the otherwise uninhabited island.
6:26 - 6:30 - Indy returns to Washington DC, where he is given the runaround by Army Intelligence. While they will pay him, they renege on their original promise to give the Ark to Indy's patron museum. They assure him that the Ark will be safe. Indy leaves, disgusted, to meet up with Marion for a drink.
6:31 - 6:35 - Over the stilted and awkward course of the drink, Indy quotes to Marion some of Katanga's philosophies about freedom. It's his way of avoiding committing to Marion. Funnily enough, Marion is attempting to do the same thing. She can't settle down either.
6:36 - 6:40 - Indy flies back home. He puts his hat in a hatbox. Takes a sip of scotch as he sits down to grade papers. He finds Lora's phone number scrawled on the essay she submitted. He smiles. Fade to black.
6:41 - 6:45 - Fade in. New York City skyline. We cut in to see a bunch of painters and drywallers working on an Art Deco-rich nightclub. We see Marion, calling the shots. A heavy canvas tarp is removed from the sign in front: The Raven's Nest. Fade to black.
6:46 - 6:50 - Fade in. Sallah looks down at a picture of him and Indy right before they set off for the Tanis digs. He puts it on his mantle next to a whole series of other photos of him and Indy. Fade to black.
6:51 - 6:55 - Fade in. The Bantu Wind cuts through the waves off the coast of an asian city. Captain Katanga watches the sun set on the horizon. He looks back to see Isaac, reading a newly printed hardcover entitled "Raiders of the Lost Ark" by Prof. H. Jones, Jr. Fade to black.
6:56 - 7:10 - Fade in. Army warehouse. The Ark is placed in a crate, one of thousands of similar crates forever locked in an undisclosed warehouse. Fade to black. End credits.
7:11 - 7:30 - Fan Club Members in credits.
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http://blogs.starwars.com/pablog/41 |

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Kenobi-fan The Jundland Wastes Journal
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date Posted: Dec 28, 2005 11:37 AM
Go to www.thearkisfound.net for cast interviews, set diaries, and a fan letter requesting Jackson re-make the The Young Indiana Jones series. Whoopee!!!
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Darth Rex0 So be it....
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date Posted: Dec 28, 2005 11:44 AM
I was going to comment on some of the best lines but the whole thing is great. Maybe Jackson will remake Lawrence of Arabia too and make it 27.5 hours long. Great stuff.
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The Dark Moose Moose Poodoo
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date Posted: Dec 28, 2005 12:23 PM
I don't see where there's time in that summary for slow wordless closeups and ominous music for no apparent reason...
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Darth Rex0 So be it....
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date Posted: Dec 28, 2005 1:26 PM
slow wordless closeups and ominous music for no apparent reason...
Just what is the deal with that stuff? If used occasionally (when there is a reason) it might work but.....
Professor Jones "I've got a lot of papers to grade"
*dramatic music and tight camera shot of Indy where you can only see the color around one pupil of his eye*
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Dark Spork Sporktastic Voyage
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date Posted: Dec 28, 2005 1:48 PM
My ### has already fallen asleep in sympathy.
Although honestly, the worst movie I ever sat through? Forrest Gump. No movie has ever felt longer to me than that one. At least in the theatre: I admit to fidgeting through the extended editions of LOTR, but who hasn't? At least there was a reason for those to be 3+ hours long. King Kong? Not so much.
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The Dark Moose Moose Poodoo
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date Posted: Dec 28, 2005 1:49 PM
Just what is the deal with that stuff? If used occasionally (when there is a reason) it might work but.....
I dunno, but it happens often enough for there to have been rumors about a romantic subtext between Frodo and Sam. berf. bleh. yic.
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Sompeetalay Sompeetalay's Source Blog
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date Posted: Dec 28, 2005 2:04 PM
It does contain some really interesting stuff, like the relation between Forrestal, Belloq and Indy. But I'm very glad Spielberg and Lucas did 'Raiders'
King Kong was long, but it never caught my attention that it lasted for 3 hours. I thought it was a very nice remake.
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Pabawan Fragments from the Mind's Eye
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date Posted: Dec 28, 2005 2:05 PM
As you can likely tell, I finally saw King Kong. The 11:30 show. When I got home at 3 am, I thought, you know, there is a good movie in there. It's just a shame the editor couldn't find it, and it was left up to the audience to find.
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The Dark Moose Moose Poodoo
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date Posted: Dec 28, 2005 2:46 PM
I kept thinking about the vast difference between Lucas and Jackson. Lucas would have taken that movie down to 68 minutes. There would have been more deleted movie than movie.
It starts out heavy-handed, it gets exciting, then Jackson just sort of develops Rainman focus on things that don't move anything along. The sub-story about the kid on the ship that wanted to be a hero. The entire story about Naomi's Watts and the old guy at the beginning.
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The Dark Moose Moose Poodoo
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date Posted: Dec 28, 2005 2:46 PM
I was thinking how surreal it was to be watching a long scene about movie investors viewing Black Jack's movie while considering pulling the funding - and I was thinking..."this scene should be cut in half"...
Like you say - good movie in there...you just have to dig with some scissors to find it.
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Pabawan Fragments from the Mind's Eye
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date Posted: Dec 28, 2005 2:58 PM
I kept thinking about the vast difference between Lucas and Jackson. Lucas would have taken that movie down to 68 minutes. There would have been more deleted movie than movie.
Which is why I picked Raiders an example. I once heard a theory as to why that movie works so well. It has Spielberg's vision, but with Lucas sitting over his shoulder, making sure that he doesn't lose himself in any sentimentality. I can think of several Spielberg films that would have been much better had they ended 20 or more minutes earlier than they actually did. Raiders is a very very economical movie, and I like to imagine that's Lucas' influence. But that's just an armchair movie fan's assessment.
ph
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bonniegrrl Droids Just Wanna Have Fun
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date Posted: Dec 28, 2005 4:10 PM
" I can think of several Spielberg films that would have been much better had they ended 20 or more minutes earlier"
Yup... Like A.I. for one....
Man, that ending killed the coolness of that movie for me.
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Son of a Bith The Cantina Corner
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date Posted: Dec 28, 2005 4:36 PM
Maybe PJ can remake the Star Wars Holiday Special.
(projectile vomits and goes into violent seisure)
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NerfHerdersAnonymous Life, the Star Wars Universe and Everything
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date Posted: Dec 28, 2005 5:03 PM
*chortle* Indy meets the English Patient.
7:11 - 7:30 - Fan Club Members in credits.
We have Lucas to thank for the never-ending credit trend.  The first movie in history ever to list (credits) of everyone who worked on the film was American Graffiti in 1973. Check out Rinzler's book Creating the Worlds of Star Wars 365 Days and Lucas's quote on Day 363.
LM
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MasterObi-Wan My little slice of the GFFA
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date Posted: Dec 28, 2005 5:56 PM
I think Kong is good as is. Yes, Jackson could have shortened it, but much of the emotional impact would have been lost. Ann Darrow was the audience surrogate, so knowing her story was useful. And how bad did you feel for any of the background rebels on Endor? Having a little bit of backstory for characters like Hays and Jimmy makes it a litle more gut-wrenching when the Venture crewers start biting it. That 3 hours definitely flys by like two, at least for me. I honestly am beginning to think that, long-winded and all, Jackson may be a better filmmaker than Lucas AND Spielberg. Kinetics and action are great, but I'm willing to spend a little more time with some characters if it means a greater emotional payout at the end.
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janlomona Smugglers Rants
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date Posted: Dec 29, 2005 3:27 AM
Someone once told me that box office doesn't equate to quality, but cinema, espcially popcorn cinema that we all love, doesn't have to equate quality. Hence Titanic...
Raiders was, and still is, the best action film ever made. Watched it twice over the holiday week on Sky Movies and it totally rocks (though TofD should have been a sequel, not a prequel. PH, why did GL and SS do that?)
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janlomona Smugglers Rants
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date Posted: Dec 29, 2005 3:29 AM
Kong rocks if you have half a day to spare, but I agree that some judicious snipping in the editing suite would have made a killer 2 hours. It's length is murdering it at the box office. GL thought it would take more than ROTS - in 11 days it hasn't yet taken what ROTS took in 5 (but then Lucas has always shown a false humility towards the potential box office of his films). Narnia, at 2 hours, is having a brilliant run and will likely end on $220 million Stateside, but Kong will struggle to make $200. For a $207 million pic, to take less than Wedding Crashers (which cost $45mil) is a huge failiure.
Bet it still wins the best FX Oscar though. ILM gypped again...
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stormtrooper5526
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date Posted: Dec 29, 2005 11:12 AM
do you think there will be a battlefront 3 pabawan. Honestly i hope there is because the first 2 were AWESOME!
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The Dark Moose Moose Poodoo
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date Posted: Dec 29, 2005 12:38 PM
Maybe PJ can remake the Star Wars Holiday Special.
Do that, get Lucas to do Animal House and Jerry Bruckheimer to do Schindler's List and I think you might just summon the anti-Christ.
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Diviner525 In the Flesh
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date Posted: Dec 30, 2005 6:07 PM
2:31 - 2:37 Only six minutes with eye-liner Lora? Dang, that can't be right. And yes, we would need Gaelic vocals there, good point.
Am I to understand that this is the Special Edition "Director's Cut" or is this Jackson's release version? Because if this is the release version, oh man, Jackson's director's cut would be like 9 hours long!
The opening scene would be "South America 1938: Hope you didn't make any plans for after the movie folks."
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DarthPipes3
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date Posted: Dec 30, 2005 7:36 PM
I can think of several Spielberg films that would have been much better had they ended 20 or more minutes earlier than they actually did. Raiders is a very very economical movie, and I like to imagine that's Lucas' influence. But that's just an armchair movie fan's assessment.
An assessment I share. I saw three of Spielberg's recent films in the movies. AI, Minority Report, and Catch Me If You Can. AI went on forever with multiple endings. Didn't care for Minority Report too much but again it was too long. Catch Me If You Can was a lot of fun and a film I enjoyed but it lost its steam in the last twenty minutes. Each of these films could have used about 10-20 minutes cut away. They really didn't have to be two-hour movies.
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Yav14
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date Posted: Dec 30, 2005 8:58 PM
Yav digs Pablo! Thanks for the laughs.
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adarjapheth The Troubles and Travails of the Fan that is -- Me.
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date Posted: Dec 30, 2005 9:38 PM
Working at a movie theater, I see people every day have a conniption fit when I tell them how long the movie is. I thought King Kong was excellent, and for that matter, Lord of the Rings is still not long enough for my tastes...
I don't get the big deal. I prefer to immerse myself as fully as possible in a story (I feel there's always more to be known), and so I relish in movies that break the two- or even three-hour length. If it takes up half your day, so be it. Good cinema is always worth it.
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Pabawan Fragments from the Mind's Eye
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date Posted: Dec 30, 2005 11:23 PM
This would be for the DVD... after all, it's got Fan Club credits. Bytes are cheaper than feet of films.
I'm a big champion of the 90 minute to 2-hour movie. Hitchcock had it right. If you can't tell your story in 2 hours, you're either not trying or working in the wrong medium. The thing that kills me is that this is from a director that KNOWS he can add stuff back in on DVD. Cameron could be forgiven in 97 for running long with the Big Boat movie. He knew VHS couldn't really contain what he was gunning for. But in this day and age when a DVD release is already in the works as your making the picture, you can be a bit more brutal with the knife!
ph
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janlomona Smugglers Rants
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date Posted: Dec 31, 2005 4:46 AM
Thats very true
So why was there about 40 mninutes of Jar Jar in Phantom...
I think Peter Jackson has been very brutal with the knife, or perhaps under it. How else does he go from looking like Blackbeard the Pirate to a scraggy Spielberg in less than a year?
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D.Jedi
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date Posted: Jan 05, 2006 8:45 PM
Sooooo true!!! I thought I had been the only one that had noticed, the excesive use of slow-motion-so-sad-I-wanna-die-enya-celtic-contrasted-with-over-the-top-head-and-eye-exploding-intense-non-stop-action-sequence moments!!!! lol... I really laughed with this one... so cool... and the fade-in-fade-out-fade-in-fade-out-fade-in-fade-out syndrome he has when it comes to endings... lol... too funny...
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D.Jedi
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date Posted: Jan 05, 2006 8:46 PM
About the weigh problem, I guess Its called non other than pure good old fashioned : STRESS--- thats what it does to you man!... did anyone ever see the Bryan Singer video journal from Superman where he actually gets to go and help Jackson direct a scene cause que just keeps FALLING ASLEEP!... no joke... I just dont know If thats sad or sick or... something else... but I guess stress got the best outta him...
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D.Jedi
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date Posted: Jan 05, 2006 9:02 PM
And I also agree that a 3 hour long movie can be good AS LONG as it has A BACKBONE to it... LOTR is ok... I loved Kong... but when you start seeing people drop out of the theater after the 26th action sequence... it just makes sense it could have been a little shorter... I remember thinking how would Lucas FIT all that he needed to in Revenge... I swore It HAD to be 3 hours to fit all that!... and lo and behold to my surprise its even shortet than Clones... THATS editing and knowing how to tell a well focused story...
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Lieutenant Wiggum Jansen DETENTION BLOG AA23
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date Posted: Jan 07, 2006 10:08 PM
I think Kong is good as is. Yes, Jackson could have shortened it, but much of the emotional impact would have been lost.
There's impact and then there's bludgeoning. The most important impact in the story of Kong happens at the foot of the Empire State building. Anything more...must simply be Jackson's flatulent hubris.
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Pabawan Fragments from the Mind's Eye
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date Posted: Jan 09, 2006 7:46 PM
There's impact and then there's bludgeoning. The most important impact in the story of Kong happens at the foot of the Empire State building.
And even that gets blunted by the absolutely unneeded bit of Adrian Brody rushing to the top of the building... and to what? To hold her. Yeah, that's right. They padded this out with needless "let me run past the Army guys in this rather expensive looking lobby so I could hold the girl who's romantic subplot never really went anywhere because she was in love with the ape anyway."
So much needless filler. Film schools should offer courses in cutting Kong down to 90 minutes. That'd be a terrific exercise.
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DarthRasinci
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date Posted: May 18, 2006 12:32 PM
LOL! This is the best blog I've ever read! I agree with you 100%, Pabawan! Lucas's ability to edit is something PJ's movies would greatly benefit from.
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TheSithEmpire
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date Posted: Oct 18, 2006 3:29 PM
Personally, I'd love to see the version of Raiders you described! That sounds totally awesome! In fact I'd rather have that than a new Indy film.
I agree that the theater environment should stick to under 3 hours (as a general rule.) But on DVD, it's a completely different story. If the story and characters can support it, more is more fun! Of course, I'm not an action junkie, nor do I suffer from ADD, and can easily sit through a 4 hour Dances with Wolves, 4.5 hours of Return of the King, 5 hours of Pride and Prejudice and 11 hours of Brideshead Revisited. I also recognize that at home, I'm in control. I can split the film up over the course of a day or even several days.
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TheSithEmpire
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date Posted: Oct 18, 2006 3:31 PM
Now Revenge of the Sith was brilliant as it was, but I'm definitely craving extended editions of that film and every other one in the SW catalog! '07 can't come soon enough!
As to King Kong, I'd be curious to see a version edited down to 90 or so minutes, but I wouldn't buy it. I love the film as it is! Reminded me a lot of the old pulp adventure stories by H. Rider Haggard and Robert E. Howard. I was fully invested in the characters, so was all too happy to be submersed in their stories. And there is in fact an extended edtion of King Kong coming out!
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ARCtrooper46 Soysauce's Rants and Raves
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date Posted: Dec 23, 2006 12:46 PM
I liked the new King Kong. It would have helped a lot, if the beginning was more like the original. There was too much time before they got to the island. I think Peter Jackson is a good director, but if he can't make movies that aren't 3 hours long. I agree with TheSithEmpire. If people want to see an extended version, let it be on DVD, not in the theater.
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Corranhorn8
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date Posted: Apr 28, 2007 8:28 PM
I thought your summary was pretty funny.
I have no problem with long movies; it's long stupid ones that iritate me.
King Kong was simply ridiculous. The entire story can be summed up in:
Intro
Boat
Island
Kong
Leave
Home
Empire State building
End
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Corranhorn8
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date Posted: Apr 28, 2007 8:35 PM
Don't get me wrong, the story itself is fine, it's when directors "flesh it out" that it annoys me. PJ went to far with it. The T-rex scenes, that entire bug scene; I mean, how much does a thirty minute running, 2000 foot fall/ariel fight/thing, another thirty minutes of supidity and then twenty more of disgusting insect life progress the movie? In LOTR (which I happen to love) PJ didn't add many of the scenes and they ruthlessly cut the movie to fit their time period. I wouldn't have minded a six-hour long verison of LOTR, but that has story!
In this day and age KK could have been much better with the computer animation and such, but PJ just ruined it by adding too much stuff!
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